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Mara ignored the debates. For her, the tool was pragmatic grace. She worked quickly, correcting the few errors, adding speaker names, exporting a clean SRT for the festival submission. When she uploaded her rough cut to the private festival portal, she hit “include captions” without hesitating. Accessibility felt less like an afterthought and more like a basic obligation—especially for a film about folks whose lives were often muted in broader conversations.