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The cinema of the 80s and 90s, often referred to as the "Golden Era," utilized the Western Ghats and the backwaters not just as scenic backdrops, but as active participants in the narrative. Films like Aranyakam or Kaliyattam showcased the misty hills and theyyam rituals of North Malabar, grounding the characters in a specific ecological reality. More recently, the "New Generation" cinema has continued this trend. A film like Premam or Kumbalangi Nights is unimaginable without its setting—the former defined by the old-world charm of Alappuzha, the latter by the watery, fragmented topography of the Kochi islands. The land dictates the lifestyle, the livelihood, and the language of the characters.
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